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Few artisans in Korea ever earn this rank - a lifetime of lacquer and mother-of-pearl, recognized at the highest level by the nation itself.

Korean Master Hand. Officially Certified by the Republic of Korea

Mother-of-pearl, laid shard by shard into lacquer - a centuries-old discipline only a handful of hands in Korea still command.

A Tradition Few Hands Still Command

On September 1, 2017, the Republic of Korea named Choi Tae-hwa Korean Master Hand No. 623 - a title earned, never given.

Officially Certified by the Republic of Korea. No. 623

Since 1974, one master has devoted his life to mother-of-pearl and lacquer — patient, exacting, unhurried.

Fifty Years in the Making

Beyond the workshop, in his own words - the discipline, the setbacks, and the quiet conviction behind a life in craft.

THE MASTER BEHIND THE MASTERPIECE

Najeonchilgi traces back nearly a thousand years in Korea. Choi Tae-hwa now carries that lineage forward, one piece at a time.

A Thousand Years of Artistry

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MASTER CHOI TAEWHA

MASTER CHOI TAEWHA

Master Choi Tae-hwa - Korean Najeon Chilgi - Mother-of-Pearl Lacquerware 
Discover the signature works of Master Choi Tae-hwa, an officially recognized Korean Master Artisan. Crafted entirely by hand using traditional, eco-conscious materials, each piece reveals a quiet radiance - where color, texture, and devotion meet in perfect balance.

A museum-scale panoramic work

Songhak Nokwondo

it features cranes, pine, and Sipjangsaeng motifs—an enduring visual language of longevity and auspicious blessing in Korean art.

Completed over nine months

A museum-scale panoramic work of Korean najeonchilgi (mother-of-pearl inlay lacquerware)

Songhak Nokwondo

measuring 138.19 × 39.37 in (3510 × 1000 mm)

A monumental panoramic work of Korean Najeonchilgi—mother-of-pearl inlay lacquerware—Songhak Nokwondo was created over nine months as a luminous meditation on longevity, harmony, and the natural world. Cranes rise among venerable pines, deer move across open meadows, and waterbirds gather upon the lake, while the auspicious imagery of Sipjangsaeng—the Ten Symbols of Longevity—unfolds across the composition.

Every iridescent passage is meticulously shaped and inlaid by hand, allowing mother-of-pearl and natural lacquer to respond to light with extraordinary depth, movement, and radiance. Rare in both scale and complexity, the work was conceived not merely as a decorative wall panel, but as a commanding cultural heirloom—created for collectors of exceptional Korean heritage art and destined to endure across generations.

Rare at this scale and depth, this piece is conceived as an heirloom-grade statement for collectors of exceptional East Asian heritage arts.

Korea Museum of Master Craftsmanship Bundang, Gyeonggi Province, Republic of Korea

Najeonchilgi Mother-of-Pearl Inlay Lacquer Wardrobe Auspicious Phoenix & Deer Motifs

Choi Tae-hwa’s atelier holds the Baeknyeon Sogongin designation from Korea’s Ministry of SMEs and Startups, recognizing its skilled craftsmanship and potential to thrive for generations.

A Legacy Worth Carrying Forward

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